Environment <\/mark>\u200bCulture<\/mark><\/p>\n<\/div>Photography \u2022 Video \u2022 Research<\/p>\n<\/div>
Piancavallo is a documentary film that highlights an alarming climate situation. It chronicles a typical day at the Piancavallo ski resort, which is forced to rely on artificial snow on a regular basis due to rising temperatures.<\/p>\n<\/div><\/div><\/div>
Piancavallo(PN) \u2022 2020<\/p>\n
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Sorry, your browser doesn't support embedded videos.<\/video><\/div><\/div><\/div><\/div><\/div><\/div>Pianvcavallo<\/strong><\/h2><\/div><\/div><\/div>The human eye naturally identifies what it sees as real, as existing. Photography, and consequently video, have therefore always been linked to reality, possessing the ability to reproduce what our eyes are accustomed to perceiving and associating with reality. With the development of these arts, however, we have discovered deception: the photographic appearance caught between fiction and reality.<\/p>\n
Piancavallo is a documentary film that highlights an alarming climate situation. It chronicles a typical day at the Piancavallo ski resort, which is forced to rely on artificial snow on a regular basis due to rising temperatures.<\/p>\n
Our gaze, having become all too accustomed to perceiving reality, falters in the face of a photograph; our awareness of its artificiality is tempered by the allure of reality, and we are drawn into the illusion.
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